Or the Mullvad browser, Mullvad’s fork of FF with zero ads with help from the Tor project.

I would auction shelf space at my mega chain grocery store to large brands. The highest bidder would have the opportunity to buy up all the shelf space in order to bury any potential competition. The bidder could create 100s of different labels of essentially the same goddamn product, in order to maintain the illusion of choice, maximize consumer confusion, and thus maximize the time a customer spends thinking about the shelf-dominant brand, for some otherwise dead-simple purchase, such as toothpaste.

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No one’s disputing the utility of wireless. But it’s not harming anyone to have a device with both mini-jack and bluetooth; the way it was for nearly 2 decades without any complaint.

or a adapter at greater than 20x cost

I would advocate for using each tool, where it makes sense, to achieve a more intelligible graph. This is what I’ve been moving towards on my personal projects (am solo). I imagine with any moderately complex group project it becomes very difficult to keep things neat.

In order of expected usage frequency:

1. Rebase: everything that’s not 2 or 3. keep main and feature lines clean.
2. Merge: ideally, merge should only be used to bring feature branches into main at stable sequence points.
3. Squash: only use squash to remove history that truly is useless. (creating a bug on a feature branch and then solving it two commits later prior to merge).

History should be viewable from log --all --decorate --oneline --graph; not buried in squash commits.

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As a long time CRPG fan, I was not into it at all. But expressing that you didn’t enjoy it is wrongthink, and the rabid fans will downvote you to oblivion.

People Make Games did a 2.5 hour deep dive on it. https://youtu.be/JGIGA8taN-M I’m blown away by the amount of work they put into it. Just finished watching it. What a mess. I’m going to need some sleep while I process all of that.

eventually …

So after having watched that, I’m convinced that Robert Kurvitz and Aleksander Rostov were defrauded. I take what the studio employees are saying with a grain of salt. I mean, they are still employed so how can they possibly be trust worthy. Even if Argo wrote Cuno (god bless him). If Kurvitz was difficult to work under, it has nothing to do with the alleged theft of his share in the company. That People Make Games really leaned into his toxicity at the end of this doc kinda ticked me off. Like yeah he shouldn’t have to answer to that. That’s not the story. That’s a distraction. If the Estonian court doesn’t rule in Kurvitz’s and Rostov’s favor, they better have a damn good explanation.

I really don’t understand. Can someone divulge the circumstances or is this all just hearsay? IP law really isn’t all that complicated. Its been in practice for a long time, and generally things only need to go to court when one of the parties didn’t do some basic homework. If the court didn’t rule in the author’s favor I find it hard to believe the author didn’t legitimately give up their rights to that IP.