I can already hear the “Dongchuckler dry heave bubbleslide”

https://en.wikipedia.org/wiki/Sturgeon's_law

Right up there with the ergonomic comfort and ease of use of the N64 tripod!

BR Softech is a leading game grift development company specializing in creating immersive and engaging addictive and predatory Blackjack games. With a team of expert developers and designers sociopaths and ghouls, we leverage advanced technologies to deliver high-quality graphics (to distract users), smooth gameplay (so they don’t notice how much time and money they’ve spent) and innovative features (to hijack users’ brain chemistry into making them spend money on virtual cards). Our solutions are tailored to meet the unique extremely common needs of clients, ensuring a customized gaming grifting experience. Whether for mobile appspredatory scams for children, online casinos predatory scams for adults, or social platforms predatory scams for seniors, BR Softech is committed to excellence in the gaming industry bilking suckers out of as much cash as possible while providing nothing of value to the user or society as a whole.

Man, I remember I got Minecraft right after the Nether’d been introduced. Played pretty constantly until right around the oceans update, and then I got distracted and fell off.

Now looking at it there’s so much it seems almost unrecognizable.

Later in the article:

I’m writing about the Silent Hill 2 Remake in this scrambled, back-to-front, obnoxious way partly to piss off whoever edits this (to be 100% clear, Team Silent are the creators of the original Silent Hill 2, which Bloober are remaking), and partly to make a point about remakes: that they tacitly or openly position the original game as an “obsolete” museum piece in need of replacement, dismissing the old artistic choices as primitive and incomplete, re-defining the old creative parameters as constraints that need to be lifted. It’s all in the service of the market’s cannibalistic mania for the new, its structural need to ceaselessly bury “the past”, often by directly obstructing non-commercial preservation efforts, and sell you Progress that starts to wither and fade the second you peel away the cellophane.

Only if you think the campaign means that companies must pay for the multiplayer servers forever which Ross has said on MULTIPLE occasions is not reasonable and not what he wants.

Giving players the tools to host their own servers or adding LAN functionality, though? That’s entirely reasonable seeing as that’s how multiplayer always used to work. I mean, there are still plenty of Unreal Tournament servers active today without any involvement from the developer in decades.

Especially since, if this initiative works, developers will make games with that functionality in mind.

See, I like RTS for the same comp-stomping enjoyment because I like the spectacle of it more.

Quoted in the article:

“i propose a new fortnite rule: if you see someone in a cybertruck, you are now in a truce with everyone else in the lobby until they’re taken out. this repeats as many times as necessary until everyone that bought this stupid thing is gone. normal gameplay proceeds.“

Please drink your confirmation can now

Digital media of any sort, really.

I really enjoyed The Last Days of the Third Age, a lord of the rings TC for Mount and Blade: Warband.

It takes Warband’s medieval lord sim and focuses hard on the warfare side of things with lots of huge battles on giant maps, but even tiny skirmishes can affect a faction’s strength. (And with so many factions on both sides of the War of the Ring, you need to pick what to focus on)

Oh, don’t get me wrong, minecraft’s art style is absolutely charming and a perfect fit for the “blocky” nature of the gameplay. See how many of its imitators try to look more realistic and end up looking genuinely ugly. But to speak to the top comment’s point, when fancy shaders are added minecraft’s simple style gets elevated so much and it goes to show how simple and effective design paired with good-looking lighting can make even the lowest-poly games look absolutely gorgeous.

Hell, minecraft’s vanilla textures look downright gorgeous with lighting mods.

Might be referring to the percentage of the chocolate itself, denoting how “dark” it is.

Bioshock is most specifically about Randian objectivism, which promotes a version of extreme laissez-faire capitalism, not libertarianism in general.

And I think that’s the most economic philosophy buzzwords I’ve put in a sentence before.

Black Ops IIIIII

The change that I always notice whenever I jump between earlier and later TW is the addition of hit points and how it really feels line it blunts a lot of impacts.

I mean, compare a heavy cavalry charge in Medieval 2 to one in Total Warhammer. A properly formed unit of Teutonic Knights is a devastating hammer blow that can shatter an enemy army since the charge bonus massively increases the chance to kill. Meanwhile, Empire Knights can get a proper rear charge against basic infantry and despite how far those rats get flung, they’ll all get back up because all the charge does is make the line go down faster.

The other big impact I find with this change is it makes the rout really annoying to deal with. In early total war, you always want some cavalry to pursue fleeing enemies since once they’re broken it won’t take much to capture or kill them and preventing those armies from regrouping really matters. Meanwhile, in modern total war, pursuing fleeing enemies never seems to result in significant damage because instead of capturing fleeing enemies you’re just making the line go down again.

I dunno, it just feels weird.

Well, maybe take the land battles into more of a Dawn of War or Tiberium Wars direction. Other than that, make everything bigger and more detailed.