I imagine it’s because it’s the simplest, most common type of ball that you commonly see described as such. Like, baseballs and basketballs and soccer balls and beach balls exist, but out of context they’re typically called that rather than just “a ball”. So, a simple round ball. Giving it a pattern requires some extra thought, and of the solid colors red seems like the most common (think dodgeballs).
I pictured a smooth red rubber ball about the size of a baseball on my kitchen table. The “person” was more of an invisible force, not explicitly male but definitely not female. That might be male bias, or subtly thinking of myself doing it (combined with playing too many physics engine video games where your disembodied self pushes things around).
All of this was pretty vague though, like I didn’t really imagine the details of the room or the exact path of the ball other than knowing it would roll off and bounce on the floor.
This might be more of a blogosphere-era thing I guess. Even when most people blogging did it for pleasure rather than work, it was always considered polite to “hat tip” (h/t) the source of a given link, if you happened to find it on someone else’s site.
When you share something cool, link back to the original creator or where you found it from.
Dipshits thought it was affiliated with the US government and attacked it to “avenge” Gaza.
Petrichor: The smell of rain on dry ground. One of those things everybody knows about but lacks a word for.
The way the moon is perfectly sized to just exactly cover the sun while still showing the corona and stuff like Bailey’s Beads. It’s an extremely rare cosmic coincidence, and a few million years before or after today and total solar eclipses as we know them wouldn’t be possible.
The fact that Silicon Valley interests effortlessly shrugged off the non-profit board’s attempt to hit the kill switch last year, and now are preparing to take the company commercial despite the deliberate design otherwise, becomes much more interesting when you consider the theory that corporations are a form of artificial superintelligence.
If the AI idealists can’t stand up to basic forces of capitalism, how do they expect to control an actually dangerous AGI?
My man, I said nothing about the science or the validity of that comment, just that it’s wrong to call Ask MetaFilter “some Ask Yahoo knockoff”. If you want to get het up about an argument I never made, you do you.
It doesn’t matter if it was created before Ask Yahoo or if it’s older.
It does if you’re calling it a “knockoff” of a lower-quality site that was created years later, which was what I was responding to.
edit: btw, you’ve linked to the profile of the asker of that question, not the answer to it that /u/half_built_pyramids quoted.
some Ask Yahoo knockoff…
AskMeFi predated Yahoo Answers by several years (and is several orders of magnitude better than it ever was).
Tbh, if it were possible to record dreams or reliably trigger vivid lucid dreams, that could be one of the most significant breakthroughs in the history of art, recreation, and psychology. The fact that some startup is trying to grift on the idea with IoT/gig economy bullshit doesn’t change that.
ECHO (2017)! It’s an indie game with AAA-feeling production quality from a tiny Danish studio that sadly went bankrupt after the game only sold a few thousand copies. I played it during lockdown on an old recommendation from MetaFilter and it has since become one of my favorite hidden gem titles.
You play a bounty hunter named En (voiced by Game of Thrones star Rose Leslie) who wakes from hibernation when her spaceship arrives at a legendary artificial planet said to hold the secret to resurrection and eternal life. When she arrives on the surface, she soon discovers that its interior is a vast, abandoned baroque Palace, straight through to the core. As she wanders the infinite halls guided by her witheringly sarcastic AI London (voiced by Nicholas Boulton), she is surprised to find the Palace generates hostile clones of herself that hunt her down and copy her actions in a unique spin on the stealth genre. Gameplay consists of trying to navigate through various beautiful, byzantine concourses, collecting artifacts and unlocking elevators that lead deeper into the secret at the heart of the planet.
You may or may not enjoy this based on how you feel about stealth games with minimalist combat, but for me the challenging adaptive gameplay combined with the evocative score, compelling voice acting, intriguing story, and gorgeous environmental/sound/UI design made this a really nice surprise. (And while the studio might be dead, I’m really hoping the plans to turn it into a movie eventually rise from development hell.)
Tbh I debated posting it because it was late and there were already dozens of comments and I didn’t have it in me to write some big review. But I’m so glad you enjoyed it! Make sure not to miss the soundtrack.
Perfect Days. Got it half-off from Criterion based on the trailer and little else. Absolutely gorgeous cinematography, and a subtle and compelling character study.
“Associate your personal brand with the fringe-right/antivax/Nazi YouTube! What could possibly go wrong?”
they won’t have to self-censor themselves from saying fuck or shit
…or “non-white people are degenerate inferiors”.
Fuck Odysee.
While anything that gets people off Twitter is good, I’m sorely unimpressed by those artists who “had to” to patronize the racist transphobic neo-Nazi hellhole “because my audience is there”… until Musk’s policies happened to offend their own personal interests, by requiring training for their AI. Countless models trained on all public images already exist, jumping ship won’t prevent their work from being scraped elsewhere, and frankly, any one image or even portfolio will contribute virtually nothing to the result, so quitting in protest is largely symbolic. But so many peoples drew the line at that, and not at Musk making “cis” a slur, or protecting child pornographers, or boosting white supremacist supremacy theories. It’s really disappointing to see.