Ugh you’re probably right, it’s going to be our generation’s DMC DeLorean. The vehicle itself will age poorly, but slap it in a BTTF reboot in five years and it’ll fit right in

Probably low-hanging fruit here, but Cybertrucks

Tbh there’s lots of stuff in the Barbie movie that I would consider timeless, especially the feminist aspects of it. What parts of the movie do you think applies to the 2020s but doesn’t apply to, say, 1990 or 1960?

EDIT: I may have interpreted this comment too pessimisticly-- this question is about the future, not the past. Maybe, hopefully, societal views on gender will change in the future enough that the Barbie movie will become outdated

I had a chance to play for a couple hours this morning, and I’m impressed so far! It’s a metroidvania game, but with a souls-like bonfire/estus flask/lose experience on death and try to recover it mechanic. Movement and combat feel fluid, and deflecting attacks feels great. The combat system seems simple right now, but I have barely unlocked any of the systems in the game and it’s a metroidvania so I know the complexity will only grow.

The world is beautiful and has a complex history that I want to learn more about, although the dialog is a little bit jointed, probably due to localization issues. There are definitely some aspects of body horror to the game, with humans Apemen from the Big Blue Planet being used as livestock in a creepy, gory, ritualistic fashion in the first level. It’s definitely not a horror game, though-- the protagonist is powerful and can fight back against enemies without fear of running out of resources, although combat is definitely unforgiving.

I can tentatively recommend it right now, although I haven’t played it enough to give it a full review yet. I haven’t played it on my steam deck yet, but I’ll give it a shot tonight and give my thoughts over on the steamdeck community

I ended up grabbing this, I’ll come back soon and let y’all know what I think. Gonna mostly play on Steam deck

Just a guess, but my guess is that the full text reads “JewsAgainst(Something)”, but it got automatically shortened to what you see here

Maybe Cory Doctorow?

Porno for Pyros, is that you?

I know this is a weird observation, but the covers on those games are all red and I can’t help but wonder if there was an unofficial industry-wide standard of color psychology when these were released

Steak and some kind of berries-- strawberry, blueberry, kiwiw, whatever. Something about tossing a raspberry or something in your mouth between bites of filet mignon is just so damn aristocratic

Throughout the jam-packed season of this free-to-play game, contestants can experience new weapons for each class, the hacked new map SYS$HORIZON, the all-new 5v5 game mode Power Shift, a new skill-based League System, rewarded weekly career progression, private matches — for now in a feature-limited beta version — and the new Hacker Playstyle, which adds several ways for contestants to alter the arena to their favor. THE FINALS’ new Hacker Playstyle lets players step into the shoes of CNS, with a set of new gadgets and a new specialization that can be mixed and matched with players’ existing toolset. Remove walls, defy gravity, tunnel across the arena, and transform items — become the glitch in the system, the ultimate cyber tactician, and bring a new dimension to the game.

The Dematerializer for Mediums: a specialization that temporarily erases physical surfaces, like walls, ceilings, or goo — allowing contestants to see, shoot, and pass through them. Create new passageways and close them back up again —turn every obstacle into an open door.

The Anti-Gravity Cube for Heavys: a deployable cube that manipulates gravity in its immediate area, lifting contestants and objects upwards! Is it a traversal tool? Or a defensive gadget? It’s up to each contestant!

The Gateway for Lights: a pair of limited-range deployable portals! When both are thrown and activated, contestants and objects can move between the two locations. Anyone can use a portal, but players can’t see or shoot through them! Perfect for a quick getaway, when things get hairy.

The Data Reshaper for Mediums: a gadget that changes enemy fortifications (or any random objects for that matter) into something else entirely — like turning an enemy mine into a chair. Or an enemy turret into a table. Great for breaking through enemy defenses!

All builds are getting new weapons, with the Lights getting the 93R burst-fire machine pistol, Medium getting the new FAMAS burst assault rifle, and Heavys able to wield the new KS-23 slug shotgun.

With access to assets and source files, CNS has introduced its own Arena, SYS$HORIZON. This glitchy, neon-filled cityscape exists in the loading realm of the game show and features a mix of vertical and horizontal gameplay. Voxel bridges create pathways between buildings, and pieces of floating, glitched geometry allow contestants to parkour through the arena. Partially loaded and out-of-place, SYS$HORIZON is a sight to behold, especially at night.

Moreover, THE FINALS Season 2 comes with Power Shift — an all-new, casual, 5v5 game mode where two teams compete to escort a platform through the arena. If interrupted by an enemy team, the platform grinds to a halt — or will switch direction entirely. Watch out, the platform will tear through anything in its path and can be rocked by physics. Players can switch their contestants between respawns, allowing them to balance their teams on the fly and hone their skills to perfection. In Season 2, contestants can compete in a revamped League System that improves the ranked play experience, with league rewards that up the stakes. A new Career Circuit system offers weekly rewards from Seasonal Sponsors, allowing contestants to move from Rookie to Master by completing contracts throughout the season.

Cuno is a wholesome person who has a misaligned view of what “wholesome” is because of the environment he grew up in and I will die on this hill

Just because a minority is depicted in a work of art does not mean that depiction was made in good faith. Americans are familiar with that concept because of our dark history of minstrel shows and blackface performances.

When the trans woman character’s name is Sirona Ryan, it calls into question whether she is meant to be a character or a caricature.