Unrelated to the opsec, why is a SpongeBob Movie premiering on Netflix? Isn’t Nickelodeon Paramount?
Unrelated to the opsec, why is a SpongeBob Movie premiering on Netflix? Isn’t Nickelodeon Paramount?
That would seem to be the message we are intended to take away from the film, however this is contradicted by the fact that our protagonist uses this power and it works. Alternatively, the films message could be interpreted as: Nobody should weild this power, but sometimes it’s necessary to stop someone who “wants to watch the world burn”.
But… I’m not seeing the cryoto-fascist part. You’re going to have to explain that one.
Comes from the Dark Knight trilogy. The Patriot Act is used to catch the Joker, and Bane is a vilified Occupy Wall Street.
Pretty much every Nolan film, with the disclosure that I stopped watching his movies after Inception. His films are always well-acted and well-produced, but the scripts are just… dumb? They take themselves way too seriously and carry this air of highbrow intellectualism while being riddled with plot holes and contrivances. Not to mention the crypto-fascist messaging.
He’s like Zack Snyder, but he pulls it off well enough that critics buy into it. It drives me crazy when I see his name mentioned alongside great auteur filmmakers like Kubrick and Scorsese.
Your lizard brain is wired to avoid death, but non-existence shouldn’t be scary. You’ve already done it for possibly an infinite amount of time.
I don’t want to overstate this, but some liberation can come from within.
Yeah, we all have to play their game, but internalizing the values our sick society places on us is optional. Make peace with the things you alone cannot immediately change. Resist in the small ways you are able, find joy where you can, and do what you can for the people you care about. Free your mind and your ass will follow.
Dread it. Run from it. Witcher 4 with playable CIri still arrives.
Idk, I know a pianist and his house is just filled with boxes and boxes of sheets music!
Star Trek is popular among left-wing turbonerds, aka Lemmys primary demographic. There was also a big push to join Lemmy on r/StarTrek after Reddits API controversy.
One RPG that does a really great job of circumventing this is Morrowind. Early in the story there are several natural breaks where the PC is encouraged to do side quests and immurse themselves in the world. Once the main quest gets going it starts to take precedence, but the world ending threat builds slowly at first.
Reposting my comment from another thread because I’m interested in spurring discussion.
Imo Bethesda is, in many ways, a victim of its own success. Morrowind and Oblivion were both solid entries that did well critically and financially, but no one was prepared for the massive impact of Skyrim. Its success transformed open-world fantasy games into a staple of AAA gaming, and the game has stayed relevant for over a decade.
However, even when it was first released, Skyrim fell short in several areas that were often overlooked due to the sheer “wow” factor of its open world. The game is plagued by bugs, many of which are game-breaking and persist even in recent re-releases. The AI is brain-dead, melee combat is clunky, and the quest design and writing often lack depth.
In the years since, the landscape of gaming has evolved. Numerous fantasy and open-world games have improved upon things that Skyrim did well, and raised the bar for what players expect from many areas where Skyrim fell short. Players today have a wealth of games to choose from and are less forgiving of these types of flaws. Starfield’s lukewarm reception reflects Bethesda’s seeming unwillingness—or inability—to update its design philosophy for a modern audience.
The expectations for The Elder Scrolls VI have become impossible for Bethesda to meet. These expectations are sky-high not only among fans but also from Bethesda’s new parent company, Microsoft. TES6 will almost certainly be a financial success, but Microsoft didn’t acquire Bethesda for just “decent” results like Starfield; they acquired the creators of Skyrim to make blockbuster hits that dominate the charts and win critical acclaim.
In the end, Bethesda knows they will never recapture the lightning-in-a-bottle success of Skyrim. So they’ll keep sitting on the IP, until Microsoft forces them to release something mediocre, and their studio joins many of the other classic RPG developers in obscurity
I mean it’s not really a hot take since it’s been the consensus among long-time TES fans since 2006. Shivering Isles is the only good lore/story contribution TES has had without Kirkbrides involvement, and even that was basically just trying to Mantle his style from Morrowind.
I still enjoyed the first game but wasn’t one of the lead devs on KCD a capital G Gamer? I remember some… interesting tweets from him. Was he booted or did he change his ways?
Edit: Derp, should have just read the article before commenting. Fascism eats its own yet again.