"Muso, a research firm that studies piracy, concluded that the high prices of streaming services like Spotify and Apple Music are pushing people back towards illegal downloads. Spotify raised its prices by one dollar last year to $10.99 a month, the same price as Apple Music. Instead of coughing up $132 a year, more consumers are using websites that rip audio straight out of YouTube videos, and convert them into downloadable MP3 or .wav files.
Roughly 40% of the music piracy Muso tracked was from these “YouTube-to-MP3” sites. The original YouTube-to-MP3 site died from a record label lawsuit, but other copycats do the same thing. A simple Google search yields dozens of blue links to these sites, and they’re, by far, the largest form of audio piracy on the internet."
The problem isn’t price. People just don’t want to pay for a bad experience. What Apple Music and Spotify have in common is that their software is bloated with useless shit and endlessly annoying user-hostile design. Plus Steve Jobs himself said it back in 2007: “people want to own their music.” Having it, organizing it, curating it is half the fun. Not fun is pressing play one day and finding a big chunk of your carefully constructed playlist is “no longer in your library.” Screw that.
You must log in or register to comment.
If y’all got kids, don’t forget to teach them how MP3’s and actual media files work, I see many young people nowadays don’t even realize you can locally store your own music in a portable device-agnostic format. They’re beginning to get used to the idea of not owning anything.
First you’re gonna have to teach them how file systems work since they’ve spent a life saving everything to Google Drive or OneDrive and using a search term to find their files.
I’m continually astonished how I thought grunt-work IT jobs would fade away as my generation and younger aged into the workforce becoming ever more technologically literate. Then the iPhone my rich friends bought in highschool became the new standard for interfaces.
Now I’m helping people several years younger and much older than me navigate the machines they use for their jobs.
Look, it’s on it’s last legs, but Bandcamp and Bandcamp Fridays still exist.
Reasonable cost, money goes directly to the artist, and you get high quality FLACs with no DRM to keep permanently.
I pirate a lot, but I also spend a lot of money at Bandcamp trying to get money directly in the hands of the artists I enjoy.
I have a slightly different suggestion.
Inflation is crap and the first thing to go are subscriptions that raise their prices when people are already hurting. If you want retention, keep your prices locked when users are having bad times and you’re raking in record profits.
I think curation is great too, but I also think age plays a lot into individual views. A bunch of the younger guys at work were saying how they didn’t want playlists and they didn’t want to listen to an album, they just wanted to hit a button that knew their tastes musically and would give them a mix of familiar likes and new discoveries. The proceeded to describe a radio station to me, sans commercials. They were hot on all the music streaming and though I was crazy for wanting to spend time sorting through music.
Looking at a Spotify by age graph, the boomers dig it (because it’s easy?), Gen-Z and the Younger Millennials dig it, Gen X has less than half the uptake of the other groups.
We were mixing our own tapes in our tweens and teens. We wired ourselves to find music, copy it and play it in the specific order we want.
or at least that’s my story and I’m sticking to it.
A radio station is a small selection of music curated by an individual and meant for the masses.
Modern music streaming has dynamically curated music from a nearly infinite source, it’s really not the same.
Spotify tried to shove Doja Cat at me the other day. I have never ever EVER listened to anything that would even remotely suggest I would like Doja Cat. It may be infinite but there is still someone behind the scenes pushing particular songs and artists.
If you don’t like the artist, then block them. It’s not that hard. I blocked Travis Scott after he got those people killed at his concert and I haven’t seen a single thing with him since.
One of the main reasons I still pay for Spotify is because it is very cheap in my country, specially when splitting a family plan. However I noticed that the user experience has gone downhill over the past years.
I remember when I could seamlessly switch playback devices, from my car to my phone, to my computer and them a Chromecast almost instantaneously. Now I’m lucky if my devices recognise each other even if they are on the same network.
And if you have a poor internet connection, the app is near unusable because it tries yo grab online content first before checking whatever is downloaded. Time and time again I have to put my phone on aeroplane mode just for the main menu to load, it is so frustrating and this didn’t happen some 5-6 years ago
I’m paying for a family plan, for my family and two friends. The day this plan goes away, or they actively prevent sharing like this, I’m done paying for music. All alternative services are considerably more expensive, and also have a much more limited library. My favorite artists get less than pennies on a dollar from this anyway. No wonder they have to sell 85$ hoodies at concerts
I got caught in a crazy loop of Spotify resetting my password once a week. they offered no help except telling me my 40 char generated password was not secure enough. so I cancelled and deleted the account. the seas are a much more friendly place.
I found some of my favourite bands by downloading mislabelled songs on limewire.
Never left, baby! Although ripping from YouTube should be a last resort. And even then, use a proper tool like Yt-dlp.
I wanna know what is so different from my experience with Spotify. Because as far as enshittification goes, it hasn’t really changed since I first began using it almost a decade ago aside from the price going up a little last year. I mean, I constantly see people saying it has ads even with premium but I have not once ever heard a single ad for anything, even for Spotify’s own services on the platform, that was put there by Spotify and not simply already in a podcast that would be there from any source of listening to said podcast.
Maybe it’s because most of the artists I like are fuckin dead so their shit never gets removed 🤷🏻♂️
Spotify was OK back when I used it after Google Music died. YouTube Music’s algorithm sucked so I used Spotify for about a year. Then I installed Plex for movies and TV but also found it was also great at streaming music. PlexAmp gives me access to a good suggestion algorithm. I made the decision to give them my $$ instead. Now with lidarr+scripts I can have any music I want with almost zero effort. Plus, as the OP said, I get the fun little side hobby of music curation.
I’m curious about where you find your music. When I looked into an indexer for music ~3 years ago, it was slim pickings. I recently found that there a method to download from Spotify, but haven’t had a chance to try it out
Not sure if you mean find recommendations of new stuff to listen to, or the download source? Recommendations from Last.fm Download source is currently Deezer. Lidarr+ scripts has a bit of a learning curve https://github.com/RandomNinjaAtk/arr-scripts
Man piracy is so complex nowadays with this script and Plex stuff, all I know is downloading .flac of albums from rutracker haha no docker container home server required
Agreed. I’m a frequent sailor of the high seas with TV and movies but I actually pay for a Spotify family plan because it’s so convenient and I love the features they have like being able to use my phone app to cast music to any available nearby source or having a party and allowing multiple people to input songs to a shared playlist. I do encounter frequent bugs with all their updates but that hasn’t risen above the level of mild annoyance yet.
Pirating music is such a pain in the ass these days since there is no standard naming conventions like with TV and movies and there can be multiple sources for the same song (single, album, compilation album, web rip, etc) so even tools like Lidarr don’t make it easy and most public/private torrent trackers are pretty sparse when it comes to music outside of the most mainstream of mainstream albums.
Are there standard naming conventions for movies and TV? Where?
The problem isn’t price. People just don’t want to pay for a bad experience.
It’s all about the price for me cause I live in a 3rd world country. Even if their service improves, I will not hesitate for a second to pirate stuff. I’ll just use the money i save to pay the internet bill instead of availing a monthly sub
I was going to say that this is where I disagreed with the OP. It is 100% about price and has absolutely nothing to do with bloat or hostile design. As I wouldn’t consider Spotify’s design or Apple Music’s design choice bad. If anything they are popular because of their design choice.
If people cared about bloat they wouldn’t be on Facebook, Instagram, or TikTok. The rest of the consuming world lives in a pretty concerning place financially. Anyone who thinks it has to do with the design of the apps is either missing the point and not looking at the rest of the shit going on in the world or blatantly wants to believe Apple bad and FOSS good and I have found that to be a part of what I call the Lemmy mentality.
Paying for spotify, was google music before. Current “experience” is bad, I hate pop-ups to try to upsell me something I don’t want or features I don’t care. It happens too much and I’m considering switching to self host.
Don’t use shady sites. Use yt-dlp.
but yt audio quality is terrible.
but yt audio quality is terrible.
So are the bluetooth speakers and ear buds that most people use to listen to music these days.
