• 2 Posts
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Joined 2 years ago
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Cake day: October 12th, 2023

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  • your argument doesn’t really disprove the topic of this discussion.

    Topic of Discussion

    I don’t know if Stockholm Syndrome exists for hostages held at gunpoint.

    Stockholm syndrome doesn’t require being held at gun point.

    The real issue is people behaving irrationally according to you. If you were in this situation, you would done the rational thing. Therefore, they must be irrational. They are, I’m part, to blame for their situation.

    But this is all predicted on your value system and not theirs. Stockholm syndrome doesn’t take into account their story and what convinced them to behave the way they did. It a heavy hand that decontextualizes events and removes victims agency. Accounting for these may still reveal something worth addressing for a smaller subset of victims who are trauma bonded, but it should patiently and diligently center and empower the voices of victims and not dismiss them as irrational





  • I’d like to try Linux with minimal commitment and no setup. Give it real test drive with some of my most important tools.

    If and when I decide to make the switch, I want to have access to my normal windows machine. I’d keep it around if I need it. But prefer if it went away slowly. I want to work with and communicate with windows users with neither of us having to jump through weird hoops.

    I want my printer to work.

    Problems will come up, but I don’t want it to dominate my time.

    I’m sure most of you will say not to worry, but until I’ve logged some real hours, I will.


  • Requiem for a Dying Planet was the sound scape for Werner Herzog’s Wild Blue Yonder. A brilliant film backed by this album, I feel that the album stands on its own.

    This recording brings together three very disparate elements into a synergistic whole. They are Ernst Reijseger’s cello, the choral singing of the Sardinian group Tenore e Cuncordu de Orosei and the soaring vocals of Senegalese singer Mola Sylla. Each is a singular expression of music from widely differing traditions; together, they’re indescribable.

    Requiem For a Dying Planet is not the anticipated death song for the earth, this music is dedicated to this wonderful planet and the beauty of living which could be heavenly if religions would not exist.”






  • That comment makes an interesting point about how the line between human and AI contributions gets blurry, especially when both are shaped by human-created samples and digital pixels. Do you think the ability to distinguish between AI and human content matters—say, in art or writing—or is the impact more about how the content is used?




  • Sadly it’s been a week. I’ve read this several times as closely as I could and tried to understand where my apprehension lies. I spent some time with the wiki link to counterfactuals and wanted to really dedicate more time doing so, but wasn’t able to dedicate the time to it.

    So, again, to restart the conversation, I wonder if, I have two separate confusions. The first, if consciousness is a property that is weakly emergent in brains, what is a brain?

    I think I have a hard time buying that consciousness is a property of a brain and not mind. And I get that you are not trying to prove that it does. I’m far more interested in why, in the face of minimal support, we would align ourselves with weak emergence over strong emergence.

    I have a lingering second problem. What is a model? In that wiki link, it has a three layer model: association, intervention, and counterfactuals. I would be hard pressed to consider the first two layers as sufficient for bing considered a model. But I think the three layer model doesn’t, as far as I’ve read, address intention, causal connection, or first order simulation. I think I’m hard pressed to see a collection of cells, neuron or otherwise, doing more than creating a response to a condition.